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application, it s generally always easier to think of the build process as unique layers or components that combine to form the overall solution. The focus of this section is to understand how the wireless exchange application is technically designed at a high level. The objective of these next few pages is not to list each API (application program interface), or each connection to each component to the front-end and back-end inter faces. Rather, it s to help you understand how the business layers transi tion into a technical design that can ultimately be used to begin building the application from the ground up. In fact, it would likely take more chap ters than we have available in this book to detail all the various triggers, APIs, services, and layers of the application. Let s start by illustrating the high-level architecture of the application that was used created in the early phases of the wireless exchange project. Figure 11.2 shows a layered archi tecture and the components and their respective connectors used in build ing the application.

Sammlung von Mikroorganismen und Zellkulturen (DSMZ)]. Information produced from these cultured, model organisms is the basis for ~99% of what is known about microbiology. The textbooks are written about these organisms and their structures, growth characteristics, physiology, pathogenicity, genetics, etc. The tally and diversity of cultured microorganisms is constantly growing because microbiologists are constantly devising new ways to meet the nutritional and physiological needs of microorganisms moved from their native habitats (e.g., soil, sediment, waters, gastrointestinal tracts of animals) to arti cial laboratory media. As of 2006, the number of distinctive cultured prokaryotic microorganisms (e.g., species of Bacteria and Archaea) stood at 6466 falling into 1194 genera and 240 taxonomic families (Table 5.1; Garrity et al., 2005). 2 Uncultured microorganisms are the remainder. No one knows the full extent of microbial diversity in the biosphere. Estimates (see Section 5.4) are that the number of uncultured species (the uncultured microbial majority , Rapp and Giovannoni, 2003) may be 104 times that of the cultured minority. Uncultured microorganisms are the ones for which no appropriate growth medium has been devised. But conceptually, the uncultured category can be further dissected (see second dichotomous branch in Figure 5.3). 3 Culturable microorganisms are the ones that will become cultured when a clever microbiologist devises a growth medium that matches the organ-

(13.25)

FIGURE 9-6

....

The process of saving a shared object is also straightforward. Start by creating a new instance of the SharedObject class.

Converts an image in grayscale. Reverses the hue, saturation, and luminance of an image. Creates the illusion that an object is illuminated by one or more light sources. Sets all the transparent pixels to the specified color and converts the nontransparent pixels to the background color. Reveals an image using a specified type of transition over a set period of time.

Now that you ve learned how to create straight lines the hard way with the Pen tool, here s an easy way use the Line Segment tool. After you learn to use the Line Segment tool, you ll think that using the Pencil or Pen tool to draw straight lines is just plain ridiculous. Any amount of caffeine in your system results in a jittery line with either tool. But using this tool is a breeze. Simply click and drag the line where you want it to go, as indicated in Figure 4.18. Holding Shift while drawing a line constrains the line to 45-degree increments. If you press Alt (Option) while drawing a line, your starting point begins in the middle of the line.

The Lock Fill option is a toggle that controls how Flash handles areas filled with a gradient or bitmap fill. Once this button is pressed, all subsequent areas (or shapes) that are painted with the same gradient or bitmap fill appear to be part of a single, continuous filled shape. This option locks the angle, size, and point of origin of the current gradient so that it remains consistent throughout the scene. This capability is useful, for example, if you are creating a gradated sunset sky with gradated clouds, and the clouds must appear to be part of one continuous gradient, while the sky needs to appear to be another.

Creating new documents Changing the document setup Opening and closing Illustrator files Saving files Using the Export command Placing art Understanding vector-based and pixel-based images Placing raster images

Summary

For compatibility, Excel 2007 still supports the old file formats so that you can continue to share your work with those who haven t upgraded to Excel 2007.

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